To me as for my personal pov, it's not major dual in sense of a big deal neither.nnnnnnnn wrote: ↑Sat Aug 22, 2020 12:19 pm Also, it is far from clear to me that the Salai win study (Sachova Skladba/4 EG#16028, 2011, 1p. Heijden database #3465)
[d]4K1k1/8/1p5p/1Pp3b1/8/1P3P2/P1B2P2/8 w - - 0 1
has a major dual at move 1, as was claimed on some other threads. After the proposed dual 1. Bd1!? (1. f4!), black has 1...Bd2 2. f4 B:f4 3. Kd7 Bd2 4. Kc6 Ba5 5. b4 c:b4 6. Bb3+ the position repeats the main line one move delayed.
But after 1.Bd1(!?) Black hast not only ...Bd2 leading to transpostion after 2.f4, but with 1...Kg7 White yet has to have another way "of it's own" to win, as I showed in some other postings to that great study, with 2.Kd7, because then 2.f4 wouldn't work.
Of course after 2...Bd2 then, there's again transposition with 3.f4, again one could say, so what?
That's exactly, what I meant, 1.move f4 not the only winning move, ok with transpos. to 2.f4, 3.f4 still ok, 5th or 6th f4, with ways of their own to that, still ok?
Yes to me and to you, but we both didn't have to judge the first price of the study in Sachova Skladba 2011, and I really don't know, if the dual was known then already.
Let's be not too sophisticated, if we agree at this one example anyhow, that it's one of the most beautiful pieces, let's leave it for good.