A few months ago, I saw Verdi's Aida (an opera - click here). I thought he was a brilliant writer - the plot convolutions were perfect (the head of the Egyptian army, which is conquering Ethiopia, falls in love with an Ethiopian princess. Meanwhile, an Egyptian princess falls in love with him!). I couldn't wait for the final act to see how it would be resolved (this part was disappointing - Verdi wrote a deus ex machina ending).fern wrote:I am not poet, neither philosopher, just a writer. To be one means NOT to be scientist, NOT to be enthralled with a math approach to life..{snip}
It gave me an idea to write a program with a mathematical basis to create story lines. I see it as a constraint problem - the elements of which would be things like characters (can be young, old, stupid, gay, rich, desperate. stunningly attractive etc) and circumstances (love, envy, greed, corruption, lust for power, used, passed over for promotion, theft, violent intimidation, HIV+ etc).
Having input the elements, the program then tries to optimise the reader's/viewer's engagement using the right number of elements with the right number of interactions with each other to keep the reader's brain working hard (but not completely overwhelmed), and to then resolve everything with a sharp, clean ending, as late in the story as possible.
Who says maths cannot be applied to story telling?
